I am interested in the idea of transition and its relationship with the memory of the past, the changing of values, the passing of tradition and the aspirations of a different reality. I am keen to explore this idea through the social/private spaces within an evolving urban environment like Hanoi.
This series is presented like a visual Haiku. Intentionally left untitled, the juxtaposition of images produces their own narratives, temporal connections, and is open to many interpretations infused with the personal experiences of individual viewers. Similar to the Japanese Haiku, they are observations in its purest form, distilled into a simple gesture, a moment of reflection, a point in a continuum, touching on the beauty of imperfection, in delicate, quiet, nuanced moments.